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Thursday, 06 February 2020 / Published in Young Critics Review

Young Critics Review 2019 – Kabantu (by Esme Boyle)

 

Kabantu

Last week I went to see Kabantu. The dark wood ornate panelling and glowing candles of the grand Swinfen Hall Hotel ballroom seemed the perfect setting, and we knew it would be special.

Watching Kabantu is so immersive it feels like a wave, sometimes calm and peaceful and other times lively, transporting you instantly to a small, tranquil country on the other side of the Earth. Kabantu are a quintet from Manchester but take inspiration from traditional music found all over the world, recreating the sounds of many cultures. As soon as they came out they picked up their instruments and started playing a very fun and upbeat song with heavy percussion and bass – it really set the scene for the rest of the night.

Out of the many songs that Kabantu played, my favourite was Malaika because of the beautiful and moving story it told. One of the things I noticed about the band was that they had such respect and love for each other, it really felt like they were playing as one. They are truly skilful, playing a multitude of instruments including beautiful whistling that seemed like an instrument in itself. The band together was truly greater than the sum of its parts.

As the night went on, I felt the crowd settled in. Everybody seemed to be really enjoying the music as I could see hands and feet tapping along. I really enjoyed their performance and would love to see them again.

By Esme Boyle (age 13)

 

 

What you can read next

Young Critics Review 2019 – Peter Rabbit (by Sophie Swallow)
Young Critics Review 2018 – Hansel and Gretel
Young Critics Review 2018 – Sondheim’s Women

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I choose to support the Festival’s work with younger musicians, via the Festival’s Young Artist platform for performers who are just beginning to make their way in the world.  The fact that these names often become well known in the musical world within a few years is only an added recompense for the joy of the quality of their performances, which we often look back on for several years when we encounter them again, this time as a more mature and well-known adult soloists with the CBSO, for example, or at the Proms.

   -David Mayes OBE

Having been a young musician myself many years ago (not wishing to recall how many), the encouragement of the Young Artist Series is a particular passion of mine. The Festival has proven to be a superb platform for these young people, demonstrated by the worldwide acclaim and success that many have moved on to achieve. When these artists return to perform for us years later having developed their talent even further, it is a heart-warming occasion.  This year, 2021, I have had the usual tortuous struggle to select those whom I have wished to offer the extra support. 

   -Nigel O’Mara

lff@lichfieldfestival.org

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